Bayerische Theaterakademie August Everding
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Dramaturgy (Master)

All the threads of a theatre production are united thanks to them: Dramaturges are mediators between the artistic process, the audience and the administration. At the Bayerische Theaterakademie August Everding they are perfectly trained for their diverse tasks.

Degree Master of Arts
Standard period of study 4 semesters
Start Winter semester
ECTS Credits 120
Language requirements German(min. C1)
Fee only semester contribution of approx. 97 € to the Studierendenwerk (Student services)
Application deadline 30th of April

What is it about?

The Master’s programme in Dramaturgy prepares students for all key areas of work within the field. In addition to theoretical expertise, students gain practical experience in artistic and conceptual approaches through their involvement in theatre, musical and opera productions, as well as directing projects within other degree programmes. This practical training is complemented by classes in dramaturgical analysis, programme planning, cultural mediation, theatre law and much more.

Cooperation Partner

The dramaturgy course is part of the cooperation between the Bayerische Theaterakademie August Everding and the Institute of Theater Studies at the Ludwig-Maximilians-Universität in Munich.
The course takes place both at the Institute of Theater Studies and at the Theaterakademie in the Prinzregententheater.

Ludwig-Maximilians-Universität München
Institut für Theaterwissenschaften
“Dramaturgy is one thing above all: extremely diverse. Dramaturgs create, analyse, adapt and contextualise stage works. They initiate and support play development and rehearsal processes. They communicate concerns, structures and artistic approaches both internally and externally. They communicate and document artistic processes. They seek to engage with the world in all genres and forms.”
Prof. Dr. Barbara Gronau
Former Head of the Dramaturgy course and President of the Bayerische Theaterakademie August Everding

Students

  • Portraitfoto von Adele Bernhard
    Adele Bernhard
    Master Student
  • Porträt Rufus Max Franzen
    Rufus Max Franzen
    Master Student
  • Portraitfoto von Tolja Haß
    Tolja Haß
    Master Student
  • Portraitfoto von Claudia Kaunzner
    Claudia Kaunzner
    Master Student
  • Portraitfoto von Celina Larab
    Celina Larab
    Master Student
  • Portraitfoto von Katharina Marie Lebmeier
    Katharina Marie Lebmeier
    Master Student
  • Porträtfoto Laura Mahaniah
    Laura Tutondele Mahaniah
    Master Student
  • Porträtfoto Rieke-Julia Nuber
    Rieke Julia Nuber
    Master Student
  • Portraitfoto von Hannah Schwarz
    Hannah Schwarz
    Master Student
  • Porträtfoto Cecilia Pasquariello
    Cecilia Pasquariello
    Master Student
  • Porträtfoto Francesca Pellicioli
    Francesca Pellicioli
    Master Student
  • Porträt Tassilo Pyko
    Tassilo Pyko
    Master Student
  • Portraitfoto von Uma Tholen
    Uma Tholen
    Master Student
  • Porträtfoto Lucie Udelhoven
    Lucie Udelhoven
    Master Student
  • Porträtfoto Linn Zielinski
    Linn Zielinski
    Master Student

Lecturers

  • Portraitfoto von Dr. Antonia Leitgeb-Busche
    Antonia Leitgeb-Busche
    Head of Studies
    Workanalysis Theatre
  • Portraitfoto von Prof. Dr. Christiane Plank-Baldauf
    Christiane Plank-Baldauf
    Head of Studies
    Workanalysis Musical Theatre and Opera
  • Portraifoto von Marie-Theres Auer
    Marie-Theres Auer
    Deputy Head of Studies
    Practice of Dramaturgy
  • Portraitfoto von Oliver Brendel
    Oliver Brendel
    Stage Design and Equipment
  • Portraitfoto von Lars Gebhardt
    Lars Gebhardt
    Repertoire and Programme Design Musical Theatre / Opera
  • Portraitfoto von Thomas Gräßle
    Thomas Gräßle
    Acting
  • Peter Hailer
    Rechts- und Verwaltungsfragen des Theaters
  • Portraitfoto von Elsa-Sophie Jach
    Elsa-Sophie Jach
    Conceptual Work
  • Portraitfoto von Constanze Kargl
    Constanze Kargl
    Repertoire and Programme Design
  • Portraitfoto von Dr. Shoko Kawasaki
    Shoko Kawasaki
    Piano
  • Portraitfoto von Katrin Michaels
    Katrin Michaels
    Playwriting and Adaptation
  • Portraitfoto von Annalena Maas
    Annalena Maas
    Intimacy Coordinator
  • Portraitfoto von Friedrich Rauchbauer
    Friedrich Rauchbauer
    Song Interpretation
    Musical Design
  • Portraitfoto von Loretta Trinei
    Loretta Trinei
    Language Coaching Italian
  • Portraitfoto von Bettina Ullrich
    Bettina Ullrich
    Vocals Aural Training
    Speech Training
  • Portraitfoto von Susanna Werger
    Susanna Werger
    Practice of Cultural Mediation

Current Productions

FEMINA*
FEMINA*
Tsavo (The Iron Snake)
Tsavo (The Iron Snake)
Die Wutflut
Die Wutflut
Application Studies Download Contact Projects Apply now
Overview
Overview Application Studies Download Contact Projects Apply now

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Theatre

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  • Season 2026/27
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  • Theatre catering by Käfer
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Study

  • Acting
  • Arts and Cultural Journalism
  • Dramaturgy
  • Musical
  • Music Theatre / Opera Performance
  • Scenography and Stage Costume Design
  • Stage Directing
  • Wigs, Make-up and Special Make-up Effects
  • Practical Information
  • International
  • Funding
  • August Everding Stiftung
  • Alumni
Bayerische Theaterakademie August Everding Logo
Bayerische
Theaterakademie
August
Everding

Prinzregentenplatz 12
81675 Munich
Germany
+49 89 2185 02
info@theaterakademie.de

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