All the threads of a theatre production are united thanks to them: Dramaturges are mediators between the artistic process, the audience and the administration. At the Bayerische Theaterakademie August Everding they are perfectly trained for their diverse tasks.
| Degree | Master of Arts |
| Standard period of study | 4 semesters |
| Start | Winter semester |
| ECTS Credits | 120 |
| Language requirements | German(min. C1) |
| Fee | only semester contribution of approx. 97 € to the Studierendenwerk (Student services) |
| Application deadline | 30th of April |
What is it about?
The Master’s programme in Dramaturgy prepares students for all key areas of work within the field. In addition to theoretical expertise, students gain practical experience in artistic and conceptual approaches through their involvement in theatre, musical and opera productions, as well as directing projects within other degree programmes. This practical training is complemented by classes in dramaturgical analysis, programme planning, cultural mediation, theatre law and much more.
Cooperation Partner
The dramaturgy course is part of the cooperation between the Bayerische Theaterakademie August Everding and the Institute of Theater Studies at the Ludwig-Maximilians-Universität in Munich.
The course takes place both at the Institute of Theater Studies and at the Theaterakademie in the Prinzregententheater.
“Dramaturgy is one thing above all: extremely diverse. Dramaturgs create, analyse, adapt and contextualise stage works. They initiate and support play development and rehearsal processes. They communicate concerns, structures and artistic approaches both internally and externally. They communicate and document artistic processes. They seek to engage with the world in all genres and forms.”
Former Head of the Dramaturgy course and President of the Bayerische Theaterakademie August Everding
Students
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Adele Bernhard
Master Student -
Rufus Max Franzen
Master Student -
Tolja Haß
Master Student -
Claudia Kaunzner
Master Student -
Celina Larab
Master Student -
Katharina Marie Lebmeier
Master Student -
Laura Tutondele Mahaniah
Master Student -
Rieke Julia Nuber
Master Student -
Hannah Schwarz
Master Student -
Cecilia Pasquariello
Master Student -
Francesca Pellicioli
Master Student -
Tassilo Pyko
Master Student -
Uma Tholen
Master Student -
Lucie Udelhoven
Master Student -
Linn Zielinski
Master Student
Current Productions
Lecturers
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Antonia Leitgeb-Busche
Head of Studies
Workanalysis Theatre -
Christiane Plank-Baldauf
Head of Studies
Workanalysis Musical Theatre and Opera -
Marie-Theres Auer
Deputy Head of Studies
Practice of Dramaturgy -
Oliver Brendel
Stage Design and Equipment -
Lars Gebhardt
Repertoire and Programme Design Musical Theatre / Opera -
Thomas Gräßle
Acting -
Peter Hailer
Rechts- und Verwaltungsfragen des Theaters -
Elsa-Sophie Jach
Conceptual Work -
Constanze Kargl
Repertoire and Programme Design -
Shoko Kawasaki
Piano -
Katrin Michaels
Playwriting and Adaptation -
Annalena Maas
Intimacy Coordinator -
Friedrich Rauchbauer
Song Interpretation
Musical Design -
Loretta Trinei
Language Coaching Italian -
Bettina Ullrich
Vocals Aural Training
Speech Training -
Susanna Werger
Practice of Cultural Mediation