Bayerische Theaterakademie August Everding
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Mezzosopranistin Tamara Obermayer verkörpert die Rolle der Roselane in Johann Christian Bachs Zanaida. Sie steht im Roten Rüschenkleid zwischen zahlreichen Schnüren.
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Music Theatre / Opera Performance (Master)

On the Musical Theatre/Opera Singing course, students hone their vocal and acting skills. They acquire the ideal tools for the world’s stages.

Degree Master of Music
Standard period of study 4 semesters
Program start Winter semester
ECTS credits 120
Language requirements German (B2)
Costs Semester fee only to the Student Union (approx. 97 €)
Application deadline March 15

What is it about?

All practical and theoretical skills for the profession of an opera singer are taught with an extremely high emphasis on real-life practice. The repertoire ranges from Baroque to contemporary music.

Located at the Prinzregententheater in Munich, the Bayerische Theaterakademie August Everding offers not only various rehearsal and studio stages but also the unique and historically significant stage of the Prinzregententheater—a grand opera stage modeled after the Bayreuth Festival Theatre.

The program regularly works with renowned conductors and production teams as well as prestigious orchestras, including the Münchner Rundfunkorchester, the Orchestra of the Staatstheater am Gärtnerplatz, the Münchener Kammerorchester, and the Hofkapelle München. The repertoire includes rediscoveries and premieres as well as major classical works.

There is also the opportunity of auditions with theatre directors, conductors and agents, providing valuable exposure and networking opportunities.

Cooperation Partners

The course in Music Theatre / Opera Performance is part of the cooperation between the Bayerische Theaterakademie August Everding and the Hochschule für Musik und Theater München.

Hochschule für Musik und Theater München

Other Partners are

  • Münchner Rundfunkorchester
  • Münchner Hofkapelle
  • Münchener Kammerorchester
  • Münchener Biennale
  • Bayerische Staatstheater (Gärtnerplatztheater, Bayerische Staatsoper)
  • ENOA (European Network of Opera Academies)
  • Opernstudio Stuttgart
  • LOD Muziektheater
  • The Queen Elisabeth Music Chapel
  • Aldeburgh Music
  • Festival d’Aix-en-Provence
  • Verona Opera Academy
  • Teatr Wielki
  • Calouste Gulbenkian Foundation
  • Fundación Albeniz – Escuela Superior de Música Reina Sofia
  • Dutch National Opera & Ballet
"The voice needs space within the body, space for sound. The singers themselves are resonating bodies, acting within a stage space. There, they are rarely alone but surrounded by fellow singers, a choir, and an orchestra. The form of the collaboratively created music also establishes a framework, creating yet another space within the space."
Prof. Balázs Kovalik
Head of the Music Theatre/Opera Singing Programme

Students

  • Alina Berit Göke
    Master Student
  • Mose Lee
    Master Student
  • Henrique Lencastre
    Master Student
  • Beatriz Maia
    Master Student
  • Katja Maderer
    Master Student
  • Viktoria Matt
    Master Student
  • Laura Richter
    Master Student
  • Tatsuki Sakamoto
    Master Student
  • Julia Schneider
    Master Student
  • Rusnė Tušlaitė
    Master Student
  • Madeleine Shari Wulff
    Master Student

Current Productions

Auf und Ab
Auf und Ab
V01CES//B0D1EZ
V01CES//B0D1EZ
Lazarus oder die Feier der Auferstehung
Lazarus oder die Feier der Auferstehung

Lecturers

  • Balázs Kovalik
    Head of Studies
  • Andreas Schmidt
    Head of Studies
  • Joachim Tschiedel
    Deputy Head of Studies
    Musical Supervision
  • Alexandra Zöllner
    Disposition, Assistance and
    Artistic Head of Production
  • Christian Dachs
    Feldenkrais / Martial Arts
  • Franzy Deutscher
    Fencing
  • Iride Martinez Conde de Weinmeister
    Vocals
  • Stefanie Erb
    Movement / Dance
  • Maria Fitzgerald
    Musical Supervision
  • Lars Gebhardt
    Professionalising
  • Anton Gruber
    Body Work
  • Nathan Harris
    Correpetitor
    Musical Supervision
  • Johanna Herbst
    Professionalising
  • Christiane Iven
    Vocals
  • Martina Koppelstetter
    Aria Work
  • Porträtfoto von Malte C. Lachmann
    Malte C. Lachmann
    Acting
  • Stephanie Leonhardt
    Assistance Aptitude Test
  • This Maag
    Acting
  • Alexander Nerlich
    Acting
  • Irineu Nogueira
    Movement
  • Talia Or
    Vocals
  • Csinszka Rédai
    Musical Supervision
  • Olaf Roth
    Work Analysis
  • Andrea Schönhofer
    Work Analysis
  • Michael Schröder
    Professionalising
  • Cornelia Schweitzer
    Speech
  • Daniela Sindram
    Vocals
  • Loretta Trinei
    Speech Coaching Italian
  • Alexia Voulgaridou
    Vocals
  • Lars Woldt
    Vocals
Application Studies Download Contact Productions Apply now
Overview
Overview Application Studies Download Contact Productions Apply now

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Bayerische
Theaterakademie
August
Everding

Prinzregentenplatz 12
81675 München
089 2185 02
info@theaterakademie.de

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