Bayerische Theaterakademie August Everding
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Wigs, Make-up and Special Make-up Effects for Stage and Screen

The course on Wigs, Make-up and Special Make-up Effects for Stage and Screen at the Bayerische Theaterakademie August Everding is unique in its form worldwide. All aesthetic, conceptual and stylistic aspects of the versatile professional field of hair and make-up design are taught and trained at the highest level.

Degree Bachelor of Arts
Standard period of study 6 semesters
Start Winter semester
ECTS Credits 210
Language requirements German (min. B2)
Fee only semester contribution of approx. 97 € to the Studierendenwerk (Student services)
Application deadline 19th of January 2026
Degree Master of Arts
Standard period of stud 3 semesters
Start Winter semester
ECTS Credits 90
Language requirements German (min. B2)
Fee only semester contribution of approx. 85 € to the Studierendenwerk (Student services)
Application deadline see below

Drawing and modeling exercises:

Every second wednesday from 18:00 to 21:00, drawing and modeling exercises take place with sculptor and lecturer Gustav Mayer.
For further information, please contact the student advisory service at
maske@theaterakademie.de.

What is it about?

The focus of the course is on learning artistic and analytical skills and developing the creative personality of a make-up artist. Thanks to the well-founded and wide-ranging training, graduates have an excellent placement rate in theatre and film at home and abroad.

Due to a possible interlinking in the 6th semester, both courses can be studied in a total of eight semesters, i.e. in four years.

Cooperation Partner

The Wigs, Make-up and Special Make-up Effects for Stage and Screen course is a cooperative model of the Bayerische Theaterakademie August Everding and the University of Music and Theatre Munich.
The training takes place at the Theaterakademie in the Prinzregententheater in Munich.

Hochschule für Musik und Theater München

Further partners include:

  • Hochschule für Fernsehen und Film
  • Bayreuther Festspiele/ BF Medien
  • Bayerische Staatstheater
  • Münchner Kammerspiele
  • Bayerischer Rundfunk
  • Accademia La Scala
  • ENOA (European Network of Opera Academies)
  • Bayerische Schlösser- und Seenverwaltung
“My guiding principle for the course was coined by August Everding: 'We must not chase after a taste, we must form it'.”
Prof. Verena Effenberg
Former Head of the Wigs, Make-up and Special Make-up Effects for Stage and Screen Course at the Bayerische Theaterakademie August Everding

Students

  • Nadezhda Agriiants
    Master Student
  • Veronika Aichberger
    Master Student
  • Stefanie Bauer
    Graduate Student
  • Felicitas Barth
    Bachelor Student
  • Manja Burnhauser
    Bachelor Student
  • Lina Maria Dengg
    Master Student
  • Kitty Dézsi
    Bachelor Student
  • Emily Donschachner
    Bachelor Student
  • Laura Einzmann
    Bachelor Student
  • Valerie Luna Ertl
    Master Student
  • Rebecca Fäh
    Bachelor Student
  • Julia Giannaris
    Graduate Student
  • Susanne Gross
    Graduate Student
  • Melf Ingwersen
    Bachelor Student
  • Emilia Kolev
    Master Student
  • Sayeh Köppl
    Bachelor Student
  • Till Korte
    Master Student
  • Liora Lauppert
    Bachelor Student
  • Helen Lindenblatt
    Bachelor Student
  • Ine Massant
    Graduate Student
  • Senovia Mc Coy
    Graduate Student
  • Binks Mooney
    Bachelor Student
  • Sophia Petermann
    Bachelor Student
  • Lea Potthoff
    Master Student
  • Liliana Promeuschel
    Bachelor Student
  • Tristan Reuter
    Master Student
  • Franziska Rosenbaum
    Bachelor Student
  • Emily Schembera
    Bachelor Student
  • Pauline Schmidt
    Bachelor Student
  • Lea Steinbüchel
    Bachelor Student
  • Fabian Sturm
    Bachelor Student
  • Emilia Tereszkiewicz
    Bachelor Student
  • Julia Titschinski
    Bachelor Student
  • Laura Weber
    Master Student
  • Laura Wimmer
    Bachelor Student
  • Marie Ziemes
    Master Student

Lecturers

  • Johanna Simon
    Disposition and Assistance
  • Stefan Arndt
    Media Presentations
  • Tamar Aviv
    Special Effects and Three-Dimensional Makeup
  • Barbara Bily
    Theatre Production Analysis
  • Martina Borsche
    Reflexion and Analysis of Cultural Context, Art and Culture
  • Anja Callam
    Conceptual Design
  • Brigitte Frank
    Process Orientation Theatre and Film, Subject-Specific Forms of Design
  • Lars Gebhardt
    Theatre Production Process
  • Monika Gora
    Conceptual Design
  • Eugen Gritschneder
    Film Analysis
  • Thilo David Heins
    Media Presentation
  • Christine Herzog
    Historical and Contemporary Design Principles, Subject-Specific Forms of Design
  • Iris Höcherl
    Artistic Collaborator
    Visual Forms of Design in Theatre and Film / Subject-Specific Forms of Design / Projects
  • Angelika Höckner
    Media Presentation, Presentation of the Bachelor and Master Exhibition
  • Julian Hutcheson
    Special Makeup Effects in Theatre and Film / Sculptural Specialeffects/ 3D Makeup Techniques
  • Anna Kerth
    Haircutting
  • Tanja Kohwagner-Nikolai
    Subject-Specific Cultural Studies / Reflexion and Analysis of cultural Context, Art and Culture
  • Isabella Krämer
    Conceptual Wig Design
  • Birger Laube
    Artistic Collaborator
    Special Makeup Effects for Theatre and Film / Sculptural Specialeffects
  • Sebastian Lochmann
    Specialisation of Digital Sculpturing / Media Presentation / Previsualisation and 3D Print
  • Gustav Mayer
    Graphic Studies / Sculpturing / Maskbuilding
  • Gerald Moser
    Media Presentation / Conceptual Design/ Visualisation of Design Concepts
  • Neil Barry Moss
    Conceptual Design / Media Presentation / Mentoring
  • Hannes Neumaier
    Colour and Light / Conceptual Design
  • Jochen Pahs
    Historical and Contemporary Design Principals / Subject-Specific Design / Projects
  • Dennis Penkov
    Special Makeup Effects for Theatre and Film / Mold Making
  • Olha Reks
    Artistic Collaborator
    Historical and Contemporary Design Principals / Subject-Specific Design / Projects
  • Jay Scheib
    Subject-Specific Cultural Science IV / Mentoring / Digital Previsualisation of Artistic Concepts
  • Benjamin Schmidt
    Colour and Light / Media Presentation
  • Floris Schuller
    Special Makeup Effects for Theatre and Film / Sculptural Specialeffects/ 3D Makeup Techniques
  • Maxi Schwarzkopf
    Special Makeup Effects for Theatre and Film / 3D Makeup Techniques
  • Katharina Siebers
    Artistic Collaborator
    Visual Forms of Design in Theatre and Film / Subject-Specific Design / Projects
  • Sebastian Sorg
    Film Analysis
  • Marc Ullrich
    Training for Job-Application / Social Skills
  • Tristan Versluis
    Professional Specialisation / Special Makeup Effects for Theatre and Film / Sculptural Specialeffects / 3D Makeup Techniques
  • Berthold Warnecke
    Production Analysis for Musical Theatre and Opera
Application Studies Download Contact Galerie Apply now
Overview
Overview Application Studies Download Contact Galerie Apply now

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