The course on Wigs, Make-up and Special Make-up Effects for Stage and Screen at the Bayerische Theaterakademie August Everding is unique in its form worldwide. All aesthetic, conceptual and stylistic aspects of the versatile professional field of make-up design are taught and trained at the highest level.
| Degree | Bachelor of Arts |
| Standard period of study | 6 semesters |
| Start | Winter semester |
| ECTS Credits | 210 |
| Language requirements | German (min. B2) |
| Fee | only semester contribution of approx. 85 € to the Studierendenwerk (Student services) |
| Application deadline | January/February |
Drawing and modeling exercises:
Every second wednesday from 18:00 to 21:00, drawing and modeling exercises take place with sculptor and lecturer Gustav Mayer.
For further information, please contact the student advisory service at maske@theaterakademie.de.
Zudem gibt es die Möglichkeit, Gustav Mayers Modellier-Workshop zu besuchen, der vom 06.11. bis 08.11.2025 stattfindet. Weil der Platz auf 10 Personen begrenzt ist, bitten wir Sie um eine Anmeldung per Mail an maske@theaterakademie.de.
What is it about?
The focus of the course is on learning artistic and analytical skills and developing the creative personality of a make-up artist. Thanks to the well-founded and wide-ranging training, graduates have an excellent placement rate in theatre and film at home and abroad.
Due to a possible interlinking in the 6th semester, both courses can be studied in a total of eight semesters, i.e. in four years.
Cooperation Partner
The Wigs, Make-up and Special Make-up Effects for Stage and Screen course is a cooperative model of the Bayerische Theaterakademie August Everding and the University of Music and Theatre Munich.
The training takes place at the Theaterakademie in the Prinzregententheater in Munich.
Further partners include:
“My guiding principle for the course was coined by August Everding: 'We must not chase after a taste, we must form it'.”
Head of the Wigs, Make-up and Special Make-up Effects for Stage and Screen Course at the Bayerische Theaterakademie August Everding
Students
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Nadezhda Agriiants
Master Student -
Veronika Aichberger
Master Student -
Stefanie Bauer
Graduate Student -
Felicitas Barth
Bachelor Student -
Manja Burnhauser
Bachelor Student -
Lina Maria Dengg
Master Student -
Kitty Dézsi
Bachelor Student -
Emily Donschachner
Bachelor Student -
Laura Einzmann
Bachelor Student -
Valerie Luna Ertl
Master Student -
Rebecca Fäh
Bachelor Student -
Julia Giannaris
Graduate Student -
Susanne Gross
Graduate Student -
Melf Ingwersen
Bachelor Student -
Emilia Kolev
Master Student -
Sayeh Köppl
Bachelor Student -
Till Korte
Master Student -
Liora Lauppert
Bachelor Student -
Helen Lindenblatt
Bachelor Student -
Ine Massant
Graduate Student -
Senovia Mc Coy
Graduate Student -
Binks Mooney
Bachelor Student -
Sophia Petermann
Bachelor Student -
Lea Potthoff
Master Student -
Liliana Promeuschel
Bachelor Student -
Tristan Reuter
Master Student -
Franziska Rosenbaum
Bachelor Student -
Emily Schembera
Bachelor Student -
Pauline Schmidt
Bachelor Student -
Lea Steinbüchel
Bachelor Student -
Fabian Sturm
Bachelor Student -
Emilia Tereszkiewicz
Bachelor Student -
Julia Titschinski
Bachelor Student -
Laura Weber
Master Student -
Laura Wimmer
Bachelor Student -
Marie Ziemes
Master Student
Lecturers
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Johanna Simon
Disposition and Assistance -
Stefan Arndt
Media Presentations -
Tamar Aviv
Special Effects and Three-Dimensional Makeup -
Barbara Bily
Theatre Production Analysis -
Martina Borsche
Reflexion and Analysis of Cultural Context, Art and Culture -
Anja Callam
Conceptual Design -
Brigitte Frank
Process Orientation Theatre and Film, Subject-Specific Forms of Design -
Lars Gebhardt
Theatre Production Process -
Monika Gora
Conceptual Design -
Eugen Gritschneder
Film Analysis -
Thilo David Heins
Media Presentation -
Christine Herzog
Historical and Contemporary Design Principles, Subject-Specific Forms of Design -
Iris Höcherl
Artistic Collaborator
Visual Forms of Design in Theatre and Film / Subject-Specific Forms of Design / Projects -
Angelika Höckner
Media Presentation, Presentation of the Bachelor and Master Exhibition -
Julian Hutcheson
Special Makeup Effects in Theatre and Film / Sculptural Specialeffects/ 3D Makeup Techniques -
Tanja Kohwagner-Nikolai
Subject-Specific Cultural Studies / Reflexion and Analysis of cultural Context, Art and Culture -
Isabella Krämer
Conceptual Wig Design -
Birger Laube
Artistic Collaborator
Special Makeup Effects for Theatre and Film / Sculptural Specialeffects -
Sebastian Lochmann
Specialisation of Digital Sculpturing / Media Presentation / Previsualisation and 3D Print -
Gustav Mayer
Graphic Studies / Sculpturing / Maskbuilding -
Gerald Moser
Media Presentation / Conceptual Design/ Visualisation of Design Concepts -
Neil Barry Moss
Conceptual Design / Media Presentation / Mentoring -
Hannes Neumaier
Colour and Light / Conceptual Design -
Jochen Pahs
Historical and Contemporary Design Principals / Subject-Specific Design / Projects -
Dennis Penkov
Special Makeup Effects for Theatre and Film / Mold Making -
Olha Reks
Artistic Collaborator
Historical and Contemporary Design Principals / Subject-Specific Design / Projects -
Jay Scheib
Subject-Specific Cultural Science IV / Mentoring / Digital Previsualisation of Artistic Concepts -
Benjamin Schmidt
Colour and Light / Media Presentation -
Floris Schuller
Special Makeup Effects for Theatre and Film / Sculptural Specialeffects/ 3D Makeup Techniques -
Maxi Schwarzkopf
Special Makeup Effects for Theatre and Film / 3D Makeup Techniques -
Katharina Siebers
Artistic Collaborator
Visual Forms of Design in Theatre and Film / Subject-Specific Design / Projects -
Sebastian Sorg
Film Analysis -
Marc Ullrich
Training for Job-Application / Social Skills -
Tristan Versluis
Professional Specialisation / Special Makeup Effects for Theatre and Film / Sculptural Specialeffects / 3D Makeup Techniques -
Berthold Warnecke
Production Analysis for Musical Theatre and Opera